For those unfamiliar, Rafer Roberts is primarily known for his work on Plastic Farm, a long-running and ongoing comic about one man's descent into madness, primarily worked on by Rafer himself, but with a few others here and there. It was an early favorite of mine as I explored independent comics, and ever since, I've been a big fan of Rafer's work. Recently, Rafer's been working on a wide variety of projects, including regular contributions to the tabloid anthology Magic Bullet (of which he was the first editor) and working in the clever zombie-themed FUBAR collections.
People examining Rafer's linework. |
I've always liked Rafer's detailed art, which has only improved over the years as his composition skills and stylistic variety changed over time. It was cool to see the difference between his early Plastic Farm work and panels from his more recent issues to note the differences. Close-up and at full size, Rafer's linework is something to behold, especially when it features cross-hatching.
Rafer Reads at the Opening |
I realize I'm not very objective in this case because this isn't like going to a standard opening--Rafer is someone I've known for years and consider to be one of my best friends in comics. Outside of that, however, he's one heck of a good artist and writer with a very distinctive style that looks even better hanging on the wall than it does on a printed page. If you are in the DC area, take some time to stop by and see his work life-sized. The gallery stays open until September 8th and is free, as is parking if you get it validated by a merchant or stay for less than an hour.
If you want to see a few more photos, you can find them at my Flickr set for the opening.